Tuesday, November 5, 2013

Using quotations correctly


Quoting correctly
If a quotation is longer than about forty words, you know that you should leave a line and indent so that it stands out from the rest of your paragraph. Avoid such lengthy quotations but if you do use one, this is the correct format.

For example:
Although he does not lose his mind, two issues relating to guilt appear to take control of his actions. The first is that he is tormented by the thought that Banquo and his descendants are the ones who will benefit from the actions which now plague his conscience as seen in the following quotation.

           “For Banquo’s issue have I filed my mind;
            For them the gracious Duncan have I murdered;
            Put rancours in the vessel of my peace
            Only for them and mine eternal jewel
            Given to the common enemy of man,
            To make them kings, the seed of Banquo kings” (3,1,69-71).

For shorter quotations use the following guidelines:
In general, avoid leaving quotes as sentences unto themselves. Even if you have provided some context for the quote, a quote standing alone can disrupt your flow. Take a look at this example:

Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. “I could be bounded in a nutshell and count myself a king of infinite space” (Hamlet 2.2).
Standing by itself, the quote’s connection to the preceding sentence is unclear. There are several ways to incorporate a quote more smoothly.

1) Lead into the quote with a colon.
Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression: “I could be bounded in a nutshell and count myself a king of infinite space” (Hamlet 2.2).

The colon announces that a quote will follow to provide evidence for the sentence’s claim.
2) Introduce or conclude the quote by attributing it to the speaker. If your attribution precedes the quote, you will need to use a comma after the verb.
Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. He states, “I could be bounded in a nutshell and count myself a king of infinite space” (Hamlet 2.2).
When faced with a twelve-foot mountain troll, Ron gathers his courage, shouting, “Wingardium Leviosa!” (Rowling, p. 176).

The Pirate King sees an element of regality in their impoverished and dishonest life. “It is, it is a glorious thing/To be a pirate king,” he declares (Pirates of Penzance, 1983).

3) Interrupt the quote with an attribution to the speaker. Again, you will need to use a comma after the verb, as well as a comma leading into the attribution.
“There is nothing either good or bad,” Hamlet argues, “but thinking makes it so” (Hamlet 2.2).
“And death shall be no more,” Donne writes, “Death thou shalt die” (“Death, Be Not Proud,” l. 14).

Dividing the quote may highlight a particular nuance of the quote’s meaning. In the first example, the division calls attention to the two parts of Hamlet’s claim. The first phrase states that nothing is inherently good or bad; the second phrase suggests that our perspective causes things to become good or bad. In the second example, the isolation of “Death thou shalt die” at the end of the sentence draws a reader’s attention to that phrase in particular. As you decide whether or not you want to break up a quote, you should consider the shift in emphasis that the division might create.

4) Use the words of the quote grammatically within your own sentence. I have advised you to do this only with very short quotations.
When Hamlet tells Rosencrantz that he “could be bounded in a nutshell and count [him]self a king of infinite space” (Hamlet 2.2), he implies that thwarted ambition did not cause his depression.

Ultimately, death holds no power over Donne since in the afterlife, “death shall be no more” (“Death, Be Not Proud,” l. 14).
Note that when you use “that” after the verb that introduces the quote, you no longer need a comma.

The Pirate King argues that “it is, it is a glorious thing/to be a pirate king” (Pirates of Penzance, 1983).

 

Monday, November 4, 2013

Essay Structure


Essay Structure

Introduction - thesis statement
- outline of main points
- include title of the text and author's name
- can include very brief background about the text to set the scene
- consider and mention positioning techniques, e.g:
Main Body Paragraphs - repeat for all paragraphs
Topic sentence
Expand/Elaborate
Evidence
Evaluation
Concluding sentence
Conclusion - revisit thesis statement
- revisit all main points
- mention author and title
- DO NOT BRING IN ANY NEW INFORMATION
- leave reader with something to think about

Positioning techniques


 
POSITIONING TECHNIQUES:

Binary oppositions – the contrasting of two oppositional characteristics, in which one half of the binary is always privileged (seen as good/ right/ better).

Soliloquy/ Soliloquies – speaking without or regardless of hearers/ other characters.

 Asides – a brief comment under the breath of the character or to the audience that reveals the characters true feelings/ intent.

Monologues – a lengthy speech that usually gives the perspective of the character on one or several topics.

 Sequencing – the order of events.

Point of View – whose perspective a scene/ episode is mainly seen from/ reported from.

Imagery – lines in which there are visual images (used to colour our opinion of a character/ event positively or negatively).

Foreshadowing – when characters’ words pre-empt/ warn of an ominous outcome as a result of a particular action/ personality trait.

Repetition – repeated lines/ words/ ideas/ images. 

Humour – funny lines that make the audience align with what a character says… although sometimes this shows how ‘laughable’ the character’s view is/ discredits it. 

Deaths – honourable deaths, dishonourable deaths, sacrificial deaths, redemptive suicides, drawn-out torture… consider the death of your various representative character and how this punishes/ rewards (well, idealises) them for the characteristic they epitomise. What message does this send the audience about the trait/s they represent?

Language choices

Dialogue

Symbols

Motifs

Friday, November 1, 2013

Essay question



PRACTICE ESSAY TASK 


The tragedy of Romeo and Juliet is caused by the fact that the adults are just as irresponsible as the teenagers.

Write an essay in which you present your response to this statement.

In your response to this statement, you should consider some, or all of the following:
·         The ability/inability to communicate
·         The idea of ‘true love”
·         The effects of conflict